WebFor this reason the woman was identified as his later companion Hendrickje Stoffels. The fact that Rembrandt also had her sit for other paintings supports this interpretation. The pictorial type reveals his familiarity with Palma Vecchio’s portraits of courtesans. This is confirmed by scientific investigations showing that the movement of the ... WebImage: Detail from Rembrandt, 'Portrait of Hendrickje Stoffels', probably 1654-6. Image: Paul Bril, 'Diana and Callisto' (detail), ... We think that the woman bathing is Hendrickje Stoffels, a young women of 28 who moved into Rembrandt's household on the death of his wife Saskia to look after his baby son, Titus.
Rembrandt Postcard Hendrickje Stoffels eBay
WebEn 1654, Rembrandt eut une fille avec Hendrickje Stoffels. Pendant cette période, il avait accumulé d'énormes dettes et a été contraint de vendre sa maison et sa propriété. Il mourut en 1669 et fut enterré dans le Westerkerk d'Amsterdam. Web"Portrait of Hendrickje Stoffels" by Rembrandt Van Rijn Reproduction will come with Free Certificate of Authenticity that verifies the authenticity of the hand painted fine art reproduction you purchased. Units: cm inch . Choose Size : Standard popup size. These sizes reflect popular and readily available pre-made frame sizes. ... iron stamp for food
Rembrandt Portrait of Hendrickje Stoffels NG6432 National …
WebAug 4, 2001 · Subject: Hendrickje Stoffels (c1625-63), identified as the subject of this portrait by the 19th-century art historian Wilhelm Bode, is first recorded in Rembrandt's … WebPortrait of Hendrickje Stoffels Rembrandt Art Funded 1976 Dimensions 100 x 84 cm Vendor Trustees of Walter Morrison. Portrait of Hendrickje Stoffels, Rembrandt's mistress and mother of his daughter Cornelia. No documented portrait of her, but a number of paintings of the same model are dated to the time when she was living with him. WebMar 13, 2024 · Rembrandt — Portrait of Hendrickje Stoffels, 1659 // Painting: Oil on panel, 72.5 x 51.5 cm. The Städel, Frankfurt. The depth of sensitivity in Rembrandt’s portrayal moves me nearly beyond words. On the one hand, the sitter is remote to us - retreating into herself, lips parted in contemplation of something we’ll never know, fingers hidden … iron stand lab uses